Contemporary Arabic calligraphy in ink, pigment, and 24kt gold leaf. From a studio in Canada, into private collections worldwide.
Enter the worksThe Arabic letter, in her hands, is rarely legible in a literal sense. It is felt. A pulse, a refusal, a softness, a name.
A meditation on the self as it forms. Gold calligraphy laid into deep red and magenta fields — letters repeated until they soften, dissolve, and re-emerge as something else.
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Cobalt and ultramarine grounds, broken by sudden columns of red and gold. The works in this series sit between calm and ignition — language as the moment before speech.
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Hand-applied 24kt leaf set against burgundy and ink fields. The most reductive works in the practice — almost silent, almost speaking.
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Ink and pigment pressed into raw surfaces. Metallic elements and 24kt gold leaf added with the patience the material demands. The result reads as both writing and weather — language dissolving into atmosphere.
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Spring 2026 · Limited to 10 attendees
An introduction to contemporary Arabic calligraphy as personal expression. Open to beginners. Materials, lunch, and a take-home work included. Held in the studio.
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